Category Archives: Authors Talk

Interview With An Author: Janice Richardson

An identical twin, Janice Richardson is the opposite of her super-sibling. She is day person, a people person, a window shopper and a computer dud, her twin is a night person, not a people person, not a shopper and a computer geek. Somehow they manage to happily live together in the Niagara Region of Canada, along with a rescue cat named Vegas, aka Kittybrat. Janice, a retired funeral director started writing late in life, beginning with a non-fiction work – The Making of a Funeral Director. Fiction followed with the Spencer Funeral Home Niagara Cozy Mystery series. Book 1 Casket Cache, then Books 2,3 and 4 – Winter’s Mourning, Grave Mistake and First Call.

Judy: Tell us about the setting for your Spencer Funeral Home series.

Janice: The cozy mystery series is set in Niagara Falls, Ontario, Canada. Who doesn’t love Niagara Falls? The region is known for its wine, lavender, agriculture and trails. The area is rich in history and a visit to the various museums show the important part Niagara played in the early history of Canada.

But a cozy set in a funeral home? Seriously? Yes. While the books are in the cozy genre, they also educate and entertain the reader. If one learns something along the way, then it was worth the journey.

Judy: What’s the best writing advice you have ever read or been given?

Janice: It’s your work. Write what you know, what you need to write, not what others tell you is correct or what is popular. Then, when you are happy with the manuscript, get a good editor.

Don’t give up your day job.

The most important thing an author will learn – It’s not all about you. It is about your readers and responding to them. It is about other authors, encouraging them, promoting them on social media, reading their books and reviewing the books that you liked.

Judy: Describe your writing process and/or a typical day in your life.

Janice: Most of my day is spent reading books or news, playing the occasional computer game and marketing. Much of my day is quiet. I wrote my first two books in a few months, which meant non-stop writing, my favourite way to write. We acquired a rescue kitten who has changed my writing habits. When she is awake, no writing takes place. She tries to get on the keyboard, or plays with my feet or demands attention. Of course she comes first.

Absolute silence is the only way I can write, sitting in an old recliner with my laptop perched on my knee. When I am up and about I am engaged in whatever activity is in front of me and the work in progress doesn’t exist. I try not to think about it or discuss it. My friends and family deserve that. Plot bunnies come out only at night and romp in my brain.

I don’t plot out a story, I start writing and it takes on a life of its own. I tried outlines, they didn’t work. I may write from start to finish or in bits and pieces, the last chapter before the first one, or a middle section that gets “written around.” I know most writing professionals would have a fit if they knew there was no story line to follow, but that is how I work.

Judy: Can you recommend a lesser-known author well worth reading?

Janice: Ha! There are not too many “lesser-known authors” than me, so let me recommend another indie author who I know will continue do well. Jennifer S. Alderson, author of Down and Out in Kathmandu and ‘The Lover’s Portrait ( is a gifted story teller. Her books are entertaining, educational and rich in description and story. The Lover’s Portrait is its own work of art.

Find Janice and her books at all the usual suspects, including  Goodreads.


Interview With An Author: Karen Randau

Some authors are still doing their “before” jobs…Karen Randau is one of them. She works full-time as a content marketer for an international humanitarian aid organization that helps people in developing countries to pull themselves out of poverty.

Her Rim Country Mysteries series currently has three novels published by Short On Time Books: DEADLY DECEIT (2016), about a woman whose husband was one of fourteen people killed in a movie theater shooting; DEADLY INHERITANCE (2017), about the same women who has remarried and gets locked in a Viking burial cave with a lit stick of dynamite while honeymooning in Scotland; and DEADLY CHOICES (2017), about the same woman finding the mother she hasn’t seen in twenty-five years only to discover she holds a devastating secret.

When she’s not working or writing, Karen enjoys spending time with her grown children, playing with her dog, and hiking with her husband.

Judy: Tell us a bit about your protagonist, Rita Avery.

Karen: Rita Avery is a middle-aged woman who has seen her share of heartache. In Karen Randau’s debut novel in the Rim Country Mysteries series, DEADLY DECEIT, Rita is a shallow person who is most concerned with how she looks and what her neighbors think of her. That changes when she’s celebrating her 30th anniversary with her Marine husband. As the lights go down in a movie theater, a gunman shoots Rita’s husband in the face. He’s one of fourteen people murdered that day. In DEADLY INHERITANCE, Rita has found love again and honeymoons in Scotland. By DEADLY CHOICES, Rita has decided to reconcile with the vegetarian hippie mother she hasn’t seen in twenty-five years. That visit forces Rita to face the tumultuous childhood she fled when she married at age eighteen. She has learned to defend herself, stand up for herself, and trust her instincts. She has transformed from shallow to a deep thinker who cares more about the positive impact she can have in the lives of others than she cares about designer clothes.

Judy: What or who inspired you to become a writer?

Karen: Writing has always been an important part of my life, debuting in elementary school when my teacher taught me to print Run Spot Run. I processed most of my major life events by writing about them. English was my favorite subject in school, and I have a degree in journalism. A coworker inspired me to write novels when I described disturbing thoughts I’d been having. I asked if she thought I’d lost my mind, and she said she thought I had a novel begging to get out of me. She was right. Novel writing has given me an outlet for creativity I’ve locked up inside myself my entire life.

Judy: Describe your writing process and/or a typical day in your life. 

Karen: I’ve never been good at outlining, but I’ve learned to force myself to do it because it provides a roadmap that keeps me from wandering aimlessly all over the place when telling my story. I now write an outline for the whole book, and then use most of it up in Act 1.Then, I outline from turning point to turning point. I need silence when I write. I lock myself up in my home office and get lost in my work. Sometimes, an entire day will have passed before I realize it. On the rare occasions when I write to music, I want it to be something inspiring that sweeps me up into the melody and the lyrics – providing inspiration for a scene I’m writing.

Judy: What advice and/or resources would you recommend for aspiring writers?

Karen: Writing what you know about can include a lot more than you might think. Everything that has happened to you in your life provides fodder for character development and sensory details that bring a book alive. If you’re in a critique group, consider their input as nothing but opinion. If more than one person finds the same issue with your writing, then it’s time to take it seriously. Most important, most authors find that writing is a way to feed and nurture themselves. Don’t let that go. Write what you enjoy, and don’t take on so many projects as once that you’re too stressed to have fun.

Judy: What’s next?

Karen: I’m currently working on the fourth novel in the Rim Country Mysteries series, DEADLY PAYLOAD, with a tentative publication date of early 2018. In it, Rita teams up with a homeless veteran who the town’s people call Crazy Mary. Together, Rita and Mary unravel the mystery of why so many birds are dropping out of the skys, and then why many of the town’s residents have become critically ill, including Rita’s husband, Cliff.

Find Karen:






Authors Talk: Second Series Syndrome by Lois Winston

I was first introduced to USA Today bestselling author Lois Winston when she put out a call for authors interested in being part of her first cookbook, Bake, Love, Write. I’m not much of a baker, but I did manage to submit a recipe! The following year, she invited me back for We’d Rather Be Writing. Today, Lois guests on my blog to talk about “Second Series Syndrome.” Since I have two series (with a third one percolating in my head), I had to hear what she had to say. Without further ado, here’s Lois!

In the early 1960s after years of trailing behind frontrunner Hertz, the Avis car rental car company launched their “We Try Harder” campaign. It was an instant success. As any second child knows, you have to try harder to get noticed. The first-born claims the spotlight by virtue of being first born. It’s called second child syndrome.

The same seems true for mystery series. My first series, the Anastasia Pollack Crafting Mysteries, debuted in 2011 and received starred reviews from Publishers Weekly and Booklist. Kirkus Reviews called it, “North Jersey’s more mature answer to Stephanie Plum.” There are now five full-length novels, with another on the way, and three mini-mysteries. I have no plans to stop writing about Anastasia.

However, a few years ago, I got the idea for the Empty Nest Mysteries, a modern day twist of the 1930’s Thin Man movies, with the wife as the sleuth. In 2014 I published Definitely Dead, followed by Literally Dead last year.

Even though I’ve promoted my Empty Nest series through my newsletter and on guest blogs and social media, few readers (including many of my diehard Anastasia fans) know it exists. Gracie Elliott, my sleuth, is definitely overshadowed by her “older sister” Anastasia.

So in order to shine a light on Gracie—a woman who is one part Goldie Hawn, one part Jessica Fletcher—I’ve embarked on an ad campaign that hopefully will be as successful as that old Avis campaign. For the month of June Definitely Dead, the first book in the series, is available on Amazon for .99 cents and will be featured in several discount book sites and daily newsletters.

A parent should never show favoritism to one child over another. Like my real-life sons, my “girls” are unique individuals but equally loved by me. However, Gracie needs a chance to show readers who she is. My fingers are crossed.

Definitely Dead

When her career is outsourced to Asia, fledgling romance author and empty-nester Gracie Elliott wants a job that will allow her time to write. So she opens Relatively Speaking, becoming a wing woman to the senior set. Since her clients need several hours each morning to find their teeth, lube their creaky joints, and deal with lower GI necessities, and they always turn in after the early bird specials, she has plenty of time to pen her future bestsellers.

Gracie deliberately avoids mentioning her new business venture to husband Blake until after she signs her first client. Blake joins the company as a not-so-silent partner, tagging along to make sure Gracie doesn’t cause a septuagenarian uprising. When Client #13 is found murdered in the parking lot behind the Moose Lodge, Gracie knows, no matter how much Blake protests otherwise, she can’t wait around for the police to find the killer if she wants to save her livelihood.

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Literally Dead

After her last disastrous episode as an amateur sleuth, Gracie Elliott is back. The budding romance writer has spent the past year crafting her first novel. Her hard work and determination pay off when her manuscript wins the Cream of the Crop award, a contest for unpublished writers, sponsored by the Society of American Romance Authors. First place entitles her to attend the organization’s annual conference, normally open only to published authors.

With husband Blake in tow, a starry-eyed Gracie experiences the ultimate fan-girl moment upon entering the hotel. Her favorite authors are everywhere. However, within minutes she learns Lovinia Darling, the Queen of Romance, is hardly the embodiment of the sweet heroines she creates. Gracie realizes she’s stepped into a romance vipers’ den of backstabbing, deceit, and plagiarism, but she finds a friend and mentor in bestselling author Paisley Prentiss.

Hours later, when Gracie discovers Lovinia’s body in the hotel stairwell, a victim of an apparent fall, Gracie is not convinced her death was an accident. Too many other authors had reason to want Lovinia dead. Ignoring Blake’s advice to “let the police handle it,” Gracie, aided by Paisley, begins her own investigation into the death. Romance has never been so deadly.

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About the Author: USA Today bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name.

Find Lois at and

Killer Crafts & Crafty Killers blog:





Authors Talk: Partnering in Writing by Janet Lynn

Published authors Will Zeilinger and Janet Lynn had been writing individually until they got together and wrote the Skylar Drake Mystery Series. These hard-boiled tales are based in old Hollywood of 1955. Janet has published seven mystery novels and Will has three plus a couple of short stories. Their world travels have sparked several ideas for murder and crime stories. This creative couple is married and live in Southern California.

Here’s Janet’s advice on how to write with a partner:

Someone once came up with the following equation for successfully completing a novel: Butt + chair = book. After publishing thirteen novels I can attest to the truthfulness of this equation. Though a simple formula, it is the best way to get a novel completed.

My husband, Will Zeilinger, a published author, and I joined “talents” and write The Skylar Drake Murder Mysteries, a hard boiled 1950 series. I always wanted to write something like this but couldn’t figure out how to get into a guy’s head effectively, hence this partnership began.

People warned that it would tarnish our marriage. They insisted it wouldn’t work. Concerned, we took a business approach and set rules of professionalism, respect and overall patience.

Here are some things we did to make it work:

  1. Meetings We set a regular schedule and met weekly or monthly depending on where we were in the manuscript and PR. We have a beginning and an end time for all meetings.
  2. Agenda Our meetings always include an agenda in order to keep the discussions on track. We review our deadlines and where we feel the book should be at each point in the journey.
  3. Respect difference of opinions. It is important to check your egos at the door. No one is 100% right or wrong at any times. We find a medium we can agree to.
  4. A sense of humor Laughter decreases anxiety when self doubt hits. Like brainstorming, it would be difficult to do this by yourself or with a pet!

The result-SLIVERS OF GLASS, STRANGE MARKINGS, and the just released DESERT ICE. It has been a wonderful partnering experience for the both of us. And by the way…we are still married!!

Synopsis for DESERT ICE

In 1955, a missing Marine and stolen diamonds lead Private Eye Skylar Drake to Sin City, where the women are beautiful and almost everything is legal—except murder.

The FBI and a Las Vegas crime boss force him to choose between the right and wrong side of the law. All the while, government secrets, sordid lies and trickery block his efforts to solve the case.

Common sense tells him to go back to L.A. but is gut tells him to find his fellow Marine.

Find out more about Will Zeilinger and Janet Lynn at and

Authors Talk: Lesley A. Diehl on The Problem with Cozy Mysteries

3578It is my pleasure to introduce Lesley A. Diehl in the first of my “Authors Talk” series. Today, Lesley reflects on the cozy mystery sub genre.

The Problem with Cozy Mysteries. What a disparaging thing to say about cozy mysteries. I write them, so why would I find them problematic? I didn’t begin my career in mysteries by thinking I’d write mine in the cozy mystery genre. I kind of fell into it by crafting stories that I wanted to read, stories with a lot of humor in them and set in small towns. I had no background in law enforcement or as a lawyer, so I knew my protagonists would have to be like me: nosey women who just couldn’t let go of a puzzle until they solved it. My protagonists would have to be amateur detectives. So, voila! I was writing cozy mysteries like one of my favorite writers of mysteries, Agatha Christie. As for the humor in them? I was unashamedly mimicking Janet Evanovich. (The other day I noted my local bookstore had shelved my books under mysteries, not local authors. I was worried I might lose readers, but then I noted they were alongside Evanovich. That was exciting. I hope her popularity rubs off.) Several books into my publishing career I began to note issues arising in my writing. They’re not ones I alone own. They are common to all cozies. So here are some difficulties in cozies, and how I think they can be solved.

The amateur sleuth and her lack of knowledge about the crime

A writer of police procedurals once commented that she couldn’t understand how anyone could have an amateur sleuth solve a crime when she couldn’t get access to the information about the crime the police could. That is indeed an issue, and one a writer of cozies shouldn’t solve by making the police out to be stupid and the sleuth a genius. The only way around this conundrum is to make friends with the police. Cozies often accomplish this by pairing the protagonist with a police detective as a good friend or a romantic interest. The latter provides an additional source of tension in the story, romantic tension. It’s like getting two for the price of one.


I’ve taken both approaches. In my Eve Appel mysteries, Eve has a close friend who is a detective for the police, and Eve also is having a fling with a private eye. This is the perfect twosome for Eve to play one off the other for information. Other cozy writers find similar sources of information. Diane Mott Davidson’s protagonist is married to a cop as is Mary Daheim’s protagonists in both of her series. Before she married the town’s chief of police in Mary Daheim’s Alpine series, her protagonist was the editor and publisher of the local newspaper, another good source of information about a crime.

It’s not necessary for an amateur sleuth to have the detailed forensic information found in mysteries where the protagonist is a cop or an attorney because the cozy mystery’s revelation of the bad guy or gal is more about putting together the pieces of the mystery puzzle, and the reader is encouraged to work along with the protagonist. The murderer may be clever, but the protagonist is cleverer and so is the reader who shares in the hunt. Finding the killer is more about the make-up of the killer and less about blood spatter, fingerprints and DNA.

 The limiting nature of first person

Many cozy mysteries are written in first person in order to get close and personal with the amateur sleuth. First person pulls the reader into the thinking, feeling and activities of the protagonist, but it also means both the writer and the reader are limited in knowing about the activities and thoughts of others except through the eyes of the protagonist. There is the danger of being too much in the sleuth’s head.

Having a gal or guy pal, someone the protagonist talks with and works with as well as gets insight and information from is a way of expanding what she knows and what the reader is allowed to know. If the protagonist is a less than reliable source of information, this can be offset by the gal pal. What she says about the protagonist and to her also gives a more complete picture of the sleuth. We may have an idealized view of ourselves, but our interactions with others provide a more veridical view. Because cozies are as much about character as plot for me, developing my protagonist is as important as solving the crime.

51kzq6styllThe reputation of the cozy mystery

The cozy mystery genre or subgenre is usually not viewed as serious literature. Those of us who write cozies are the poor relations of even the mystery genre which is considered the poor relation of main stream literature. The only pat on the back I ever received from someone in literature was from a person running a literature salon who said my books could be displayed there as long as they weren’t romance. Isn’t it interesting how well romance and cozy mysteries sell, yet how little respect even those writing in the genres have for them? We are tarred with the “commercial fiction” brush. As for me, I’d like even more commercial tarring!

There appears to be a phenomenon among writers where cozy writers “evolve” into writers of serious mysteries, those thought to be more literary, more serious, more likely to win awards, or they “graduate” into writers of psychological thrillers or suspense. I admit to having been swayed by the thoughts of being taken more seriously by my fellow writers and have several book ideas which might fall into the psychological suspense category. But who am I kidding? These manuscripts are better classified as noir cozies.

In fact, an examination of many cozy mysteries reveals an abundance of serious themes in them, issues that impact daily lives but are not really considered high impact themes. These include domestic violence, sexual abuse, drug use, human trafficking, sexual harassment and, of course, murder. Their presentation in cozy mysteries is usually more personal and intimate than that found in police procedurals, yet cozy writers insist that these issues belong in cozies. I agree and include issues of family dysfunction, sexual abuse, and human trafficking in the Eve Appel series and in the Laura Murphy mysteries. The use of serious themes in cozy mysteries is important to the development of the characters as well as providing realistic plots for murder and subplots for enrichment of the story. Cozies using these themes probably come closer to the reality of the lives people live than many suspense and action publications, yet we still find cozies the perfect escape literature because the bad guys always are made to pay. Their popularity speaks to what escape literature can provide to feed an optimistic note in an otherwise confusing and upsetting world.


The use of humor in a murder mystery

What’s funny to me may not tickle your funny bone, so it’s always chancy inserting humor into a murder mystery, yet I do it as do other cozy writers such as Diane Mott Davidson, Nancy Cohen, Rabbi Ilene Schneider and Janet Evanovich. Some of the humor works, other does not.

For some, the aspect of humor paired with murder is an impossible idea, but there are ways to make it work. Funny interactions between characters, odd and unusual descriptions of clothing or other aspects of the environment, unexpected behavior, snappy and quirky dialogue all work to create humor or lighten the mood. What never works is humor around death. The murder of someone is to be taken seriously and respect shown for the deceased. To do otherwise is insulting.

I wish I could say more about how to write humor, but I think it’s not something easily taught. I find it a useful tool to create as well as defuse tension. Laughing is important to our mental health, and being able to create the vehicle to provide that for a reader gives me a feeling of absolute joy. As I said, my sense of humor is not the same as others’, but my litmus test for funny is if it makes me chuckle when I write it. I write humor into my cozies for selfish reasons: I like to enjoy my writing. 51nrf3ak6gl

You probably have other views on cozy mysteries and have considered other issues in writing and reading them. I invite you to share them here.

For more information about Lesley, visit her website at and her blog at You can find her books at